manho
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Post by manho on Mar 1, 2011 4:48:16 GMT -5
read this while humming not dark yet...
'Til I Fell In Love With You
Well, my nerves are exploding and my body’s tense
I feel like the whole world got me pinned up against the fence
I’ve been hit too hard, I’ve seen too much
Nothing can heal me now, but your touch
I don’t know what I’m gonna do
I was all right ’til I fell in love with you
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digit
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Post by digit on Mar 2, 2011 8:53:31 GMT -5
TOOM is basically the same song re-hashed
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digit
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Post by digit on Mar 7, 2011 15:49:48 GMT -5
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digit
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Post by digit on Mar 15, 2011 15:46:12 GMT -5
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digit
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Post by digit on Mar 17, 2011 16:37:29 GMT -5
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digit
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Post by digit on Mar 20, 2011 6:45:30 GMT -5
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manho
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Post by manho on Mar 20, 2011 7:09:21 GMT -5
country pie?
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digit
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Post by digit on Mar 21, 2011 15:54:44 GMT -5
hattie
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digit
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Post by digit on Mar 28, 2011 14:08:54 GMT -5
www.sendspace.com/file/grhv251. freewheelin outtake - baby please dont go 2. tambourine man - newport 64 (is this the best version evahhhh?) 3. outlaw blues - acoustic jan 65
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digit
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Post by digit on Apr 15, 2011 7:31:41 GMT -5
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Post by hobo on May 13, 2011 12:24:26 GMT -5
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manho
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Post by manho on May 13, 2011 14:56:12 GMT -5
not very cool
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bart
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Post by bart on May 14, 2011 0:25:13 GMT -5
especially since he didn't write it. |
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Post by cripes on May 14, 2011 1:05:37 GMT -5
not very cool
Yeah, it's like boby gives a shit....I thought that giving a shit wasn't cool.
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digit
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Post by digit on May 14, 2011 7:19:46 GMT -5
get writing whet
bit of a cop out boby. the early songs just happen to be the "protest" ones and the recent songs about "your pork and her pie". very convenient.
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manho
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Post by manho on May 23, 2011 4:43:49 GMT -5
Marking the musician's 70th birthday on May 24th 2011 and drawing on archive, much of which has never before been broadcast, a group of writers, poets, musicians and fans have been asked to reflect on what Bob Dylan means to them. Bob Dylan and Me offers a series of essays, richly woven together with songs and archive interviews. Cerys Matthews talks about Bob Dylan's personal impact on her life and music. Paul Morley reflects on Dylan's ability to acquire fame by staying aloof. Professor Christopher Ricks looks at Dylan's years with God. Eddi Reader reflects on the women in his songs. Billy Bragg takes on Bob's troubadour tradition. Beat poet Michael McClure gives a personal view on the man. Natasha Morgan talks about the night she saw Bob Dylan's first British appearance in 1961. Also featured in the programme will be a number of rare Bob Dylan interviews, many not broadcast on British radio before. We will hear Dylan's radio debut from 1962 on WBAI, "I was with the carnival off and on for six years," and he tells KQED San Francisco in 1965, " Do you think of yourself primarily as a singer or a poet?" "Oh I think of myself as more a song and dance man y'know" Sound Design by Alice K. Winz Producers: David Prest and Caroline Hughes. A Whistledown production for BBC Radio 4. five days left to listen: www.bbc.co.uk/programmes/b0118brp |
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Post by Cat Stevens on May 23, 2011 14:00:10 GMT -5
70th birtday, eh...  |
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manho
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Post by manho on May 24, 2011 3:38:41 GMT -5
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digit
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Post by digit on Jun 9, 2011 14:50:11 GMT -5
expect bobys next one to be "heavy" on joyce
End of 'Ulysses' copyright may breathe new life into Bloomsday
RONAN McGREEVY
Wed, Jun 08, 2011
THE EXPIRY of the copyright on James Joyce’s Ulysses next year will liberate the text from the “notoriously restrictive” instincts of his grandson Stephen Joyce, the co-ordinator of the Bloomsday festival has said.
Stacey Herbert said those trying to organise celebrations of the book often found themselves without permission to do so by Joyce’s Paris-based grandson.
To date the only place where public readings of Ulysses are allowed are on Bloomsday in the James Joyce Centre in North Great George’s Street.
As organisations and individuals as diverse as the State, the Abbey Theatre and Cork University Press have found, the Joyce estate, whose main trustee is Stephen Joyce, is fiercely protective of the writer’s work.
Ms Herbert said this year’s Bloomsday celebrations, which take place on Thursday, June 16th, will be the last where such restrictions will be observed.
She said the lifting of the copyright restrictions would be celebrated by a flash mob next year which would perform from each of the 18 chapters in the novel, while it would also allow for a proliferation of musical and dramatic representations of Joyce’s most famous work.
This year’s Bloomsday festival events begin today with the launch of a book of Joyce-inspired photographs by Japanese photographer Motoko Fujita.
The festival will run until Bloomsday itself, where the traditional Bloomsday breakfast will be held at the Gresham Hotel.
There will be an opera and airs in St Stephen’s Green based on music from Ulysses on Wednesday and Thursday next week and a talk on the Jewish element of Joyce’s work in the Irish Jewish Museum next Monday.
© 2011 The Irish Times
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manho
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Post by manho on Jun 16, 2011 15:17:29 GMT -5
will boby sing finnegans wake this evening?
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